Between now and Christmas, Chicago will host more than 30 world premiere plays. From major multimillion-dollar powerhouses to the postage-stamp off-off-off-Loop stages, the city is basically one big theatrical petri dish.
This year is an especially robust one, but every year hundreds of artists take to Chicago's stages in hopes of launching the next “Spamalot” or “August: Osage County.” The million-dollar question: What makes Chicago a magnet for unknown plays? The short answer is that money goes further here, audiences are more welcoming, critics are less powerful and the talent bench is deep.
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